“You be off, missie,” said the fatherly policeman. She seemed tense when not playing, he noted, more so than she had during the first two pieces. ‘Do not beg his pardon,’ intervened Melusine quickly, coming between them. They don’t catch on to discursive interests, you see, because they are more serious, they are concentrated on the central reality of life, and a little impatient of its—its outer aspects. There is a new life, different from the old life of dependence, possible. After all, it came to him suddenly as a harsh discovery that she might be in a sense regarded as grownup. "And now, I've one further request," faltered Jack; "though I scarcely know how to make it.
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